Some months ago I learned about a new Virtual Walking Tour of al-Haram al-Sharif (the Temple Mount), but being short of time, I filed it for later.  Today seems to be a slow news day and so I started it up and enjoyed the tour.  It is excellent.

Created by Saudi Aramco World, the tour focuses on the present Muslim structures at the site, but it does not deny the previous existence of the two Jewish temples.

The tour begins with a five-minute narrated introduction (which you can skip) and then includes 32 360-degree panoramic views, each of which is explained both by an audio recording and a written transcript.

The visitor starts with two views of the Temple Mount from the east and west before surveying the grounds of the complex with approximately 18 more scenes.  A particularly unique image is #25, taken atop Al-Aqsa Mosque.

Tourists to Israel today can see most of these views if they visit during the open hours of the Temple Mount (approximately Sun-Thurs, 7:30-10:00 am, 12:30-1:30 pm), but since 2000 the holy buildings have been closed to non-Muslims.  Thus the images inside the Dome of the Rock and Al-Aqsa Mosque will be especially appreciated by those who have been denied entrance.

A couple of practical comments: 1) You can turn the audio off and read the text; 2) the full-screen view is very high quality, but may be slow on your internet connection; 3) to get “inside” the Dome of the Rock, select #8 and new options will become available; 4) to get “inside” Al-Aqsa Mosque, select #26.

The creators did a fantastic job with this.  The photography is superb, the narration is helpful, and the location is one of the most religiously (and politically) important in the world.

 Dome of the Rock from southwest

I was traveling last week when the Jerusalem Post reported on the installation of a model of the Second Temple above the Western Wall plaza, but readers who didn’t see it elsewhere may be interested.  You can see another photo of the model at Arutz-7; it looks very similar to the model at the Israel Museum (formerly Holyland Hotel).

Some 50 people gathered on Wednesday to watch the installation of a Second Temple model on the roof of a yet-unfinished Aish HaTorah yeshiva building, across from the Western Wall and just a few hundred meters from where the real thing once stood.
With the Dome of the Rock and the Aksa Mosque standing conspicuously in the background, a crane lowered the 1.2-ton model onto the roof.
It took about a year for Michael Osanis, an immigrant from the former Soviet Union who has built a number of other Temple models, including one in the Temple Institute, also in the capital’s Jewish Quarter, to complete this model, which is made from gold, silver, wood and Jerusalem stone.
The model will sit on a new educational building for Aish HaTorah’s short-term outreach programs, which is set to open in December.
Aish, which provides a network of educational programs for Jews around the world, is also building a new “Exploratorium” – an interactive museum on Jewish history, which it expects will host 300,000 visitors annually after it opens in two years.
“What could be more appropriate than to have here, as people are standing looking out over our holiest place, the Temple Mount, a sense of what it was really like to have the Temple here?” asked Ephraim Shore, director of Aish’s programs in Jerusalem.
The yeshiva hopes that this model will help people to visualize the Temple and therefore forge a stronger connection with Judaism and Jewish history.
“It is hard for us to imagine a Temple and to feel that we are praying inside the Temple,” said Rabbi Hillel Weinberg, the head of Aish’s Jerusalem yeshiva.
“But now, everyone who comes and sees this Temple model, it will be much easier for them to connect to the Temple and to direct their prayers to the Holy of Holies.”
As the crane lowered the model into place, an argument broke out about which direction it should face. Should it mirror the way the actual Temple sat in relation to the Temple Mount, or sit the opposite way, making it easier for large crowds to see it?
Osanis swiftly decided that ease of access was more important, and positioned the model accordingly. Not everyone in the crowd was happy with the decision.

The story continues here.

HT: Joe Lauer

I’m a day late on this article, but some will undoubtedly be interested anyway.  From Arutz-7:

The Temple Institute will begin building the sacrificial altar on Thursday, Tisha B’av, a fast day when Jews mourn the destruction of the Temple some 2,000 years ago. The sacrificial altar was located in the center of the Temple, and upon it the Kohanim (priests) offered the numerous voluntary and obligatory sacrifices commanded in the Bible. The Temple Institute, which has already built many of the vessels for the Holy Temple, such as the ark and the menorah, has now embarked on a project to build the altar. Construction begins Thursday in Mitzpe Yericho (east of Jerusalem) at 5:30 p.m. “Unfortunately, we cannot currently build the altar in its proper place, on the Temple Mount,” Temple Institute director Yehudah Glick said. “We are building an altar of the minimum possible size so that we will be able to transport it to the Temple when it is rebuilt." Even a minimum size altar will work out to be approximately 2 meters tall, 3 meters long, and 3 meters wide. Workers have collected around 10 cubic meters of rocks weighing several tons already. The rocks were gathered from the Dead Sea area and wrapped individually to assure they remain whole and are not touched by metal, as the Bible requires. “The Torah says that no iron tools should be used on the altar’s stones,” Glick explained. “The altar represents a connection to life and to the creation of the world. Iron is the opposite – it is used to build tools of war, death, and destruction.”

The story continues here and includes a photo, a video, and an illustration.

On the traditional anniversary of destruction of Jerusalem’s two temples, Stephen Rosenberg writes an article in the Jerusalem Post on the evidence for the existence of the temples in light of the Muslim denials.

There is a persistent narrative by the Islamists to deny any past Jewish presence on what they call Haram al-Sharif. Like the cult centers of Mecca and Medina, they call it the Noble Sanctuary rather than the Temple Mount. The propaganda is spreading throughout the Arab world, and would deny any legitimacy to our claim to have experienced the destruction of two Temples on the site. All the evidence, the propaganda goes, is written by Jews and is therefore suspect. The claim for the building of the First Temple comes from the Book of Kings. It is a detailed description, but nothing of the structure has been found. The inscription on a little pomegranate showing it to have been part of a priestly scepter from the First Temple has recently been denounced as a later forgery. The parallels with temples in Syria are fine, but no proof that one existed in Jerusalem. What evidence is there that a Jewish Temple was destroyed by the Babylonians? There is a tablet in the British Museum that Nebuchadnezzar came to Jerusalem in his seventh year (597 BCE) and captured the city, but he destroyed no temple and only set up a "king of his own heart" (Zedekiah). The tablet goes up to the year 594 and then stops. The following years are missing and the next tablet restarts in 556 BCE. The crucial year 586 is lost.

The article continues here.

The Jerusalem Post has an article which summarizes the conclusions of a new work by Hebrew University Professor Moshe Sharon.  The article’s final section is the most interesting.

In the final section of his work Sharon builds on the research of Tuvia Sagiv, attempting to prove that the foundations and design of Al-Aksa replicated the Temple of Jupiter Capitolinus, which the Roman Emperor Hadrian had built on the Temple Mount.
Noting that all Roman Temples of Jupiter had an almost identical design, Sharon compares the schematic of the ruins of a Temple of Jupiter in Baalbek to that of the Al-Aksa complex.
“Jupiter’s Temple in Baalbek had exactly the three features which we find in the Al-Aksa complex: the polygon building in the front where the worshipers assembled, the open space where the god’s statue stood and the rectangular main temple. The same symmetrical line which goes through the three components of Jupiter’s Temple also goes through the Al-Aksa complex, and both plans fit each other perfectly,” writes Sharon.
Sharon and Sagiv’s theory is potentially incendiary because it suggests the Al-Aksa complex was built on pre-existing foundations and was not designed according to Muhammad’s famous Night Journey to Jerusalem.
Sharon’s research, which questions the Islamic justification for the Dome’s existence and describes similar patterns in Jewish and Muslim worship, has inflamed some figures in Israel’s Islamic community.
“We Muslims believe that Jews have no right to a single inch in front of the Al-Aksa Mosque, the whole complex – everything within the walls of the holy site. Jews have no right to worship there – under the ground, above the ground or in between the skies,” said MK Sheik Ibrahim Sarsur, who heads the Islamic Movement in Israel.

The entire article is here.

HT: Joe Lauer

Restoration work is beginning at the Western Wall, and the Israel Antiquities Authority has more information in a press release.  More information about the project is available in two Word documents (zip) and 34 high-res photos are available here (zip).  The photos are identified as follows:

1-8 Western Wall Compound and the Western Wall
9-29 Conserve the Stones in the Western Wall
31 Western Wall Tunnels – Hasmonean aqueduct
32 Western Wall Tunnels – The Model Hall
34 Western Wall Compound Excavations

Most of the photos show general views of the Wall or of the current restoration, but a few are unique angles that you won’t see anywhere else (such as from the top looking down).  A couple of them may make you want to keep your distance from the Wall until the restoration is complete.

From the press release:

The Inauguration of the National Project to Conserve the Stones in the Western Wall and the Establishment of the Israel Antiquities Authority Conservation Department (Minhal Shimur) (April 5, 2009) 
The Western Wall and the monuments around it are among the most important cultural heritage sites in the world. Every year millions of people come to Jerusalem to see them. In order to ensure a safe and comfortable experience, the site should be constantly maintained and new services developed for the benefit of the visitors.
A year ago the Western Wall Heritage Foundation conducted a survey of the state of the wall, which revealed that the physical condition of the stones was deteriorating. It was against this background that the Israel Antiquities Authority decided to take urgent action: the Israel Antiquities Authority Conservation Department conducted an extensive physical and engineering survey of the Western Wall’s condition which culminated in the submission of a work plan. Conservation measures are currently being carried out there.
The work is focusing on the conservation treatment of the stones in the Western Wall and their stability, in accordance with their degree of preservation and the level of risk they present to the visiting public.
The project to conserve the stones in the Western Wall in particular, and the conservation and development of the Western Wall compound in general, is one of the most complex projects of its kind ever undertaken in Israel. The Western Wall compound project is an example of the enormous task that confronts us in conserving and presenting Israel’s cultural heritage. Such a cultural heritage site that is important on both a local and international level which involves large number of visitors, the need for constant maintenance, and the conservation of the Western Wall’s original appearance for us and for posterity, is first and foremost a challenge. This undertaking requires knowledge and professionalism in a wide range of fields.

The article continues here.  For more information and photos about the Western Wall, see this BiblePlaces page, or take a look at how the wall looked in the 1800s and the 1960s.

HT: Joe Lauer