This large 12th-century fresco discovered ten years ago near the Garden of Gethsemane goes on display next month in the Israel Museum.  From the Israel Antiquities Authority:

An enormous impressive wall painting (fresco) that was discovered in excavations by the Israel Antiquities Authority in the Monastery of Miriam in the Gethsemane courtyard in Jerusalem will be displayed for the first time when the renewed Israel Museum opens its doors to the public on July 26, 2010.
[…]
According to Seligman, the subject of this wall painting – only the bottom part of which survived and which originally rose to a height of about nine meters – is apparently a scene of deésis (meaning supplication in Greek). This is a known iconographic formula whereby Mary and John the Baptist beseech Jesus for forgiveness, for the sake of humanity. Only the bottom parts of the figures are visible in the main picture: Jesus sitting in the center, with Mary to his right and John the Baptist to his left. Two other pairs of legs, probably those of angels, can be seen next to Mary and John. In the middle of the painting are colorful floral tendrils on either side of which is a Latin inscription of a saying by Saint Augustine: “Who injures the name of an absent friend, may not at this table as guest attend.” We can conclude from this that the painting adorned the wall of a dining room – the refectorium – in the monastery. The prohibition to gossip is surprising since the monks there were Benedictines who refrained from unnecessary conversation. According to the researchers, the maxim was apparently intended for visitors who arrived at the monastery and were invited to dine there.
According to Nagar, “This is one of the most important paintings that have been preserved from the Crusader period in Israel. The painting is the largest to come out of an archaeological excavation in the country and the treatment the painting underwent in the laboratories of the Israel Antiquities Authority was, from a conservation standpoint, among the most complicated ever done here. This wall painting is special because of its size and quality. It measures 9 meters long and 2.7 m high, and is extremely rare because very few wall paintings have survived from the Crusader churches that were built in Jerusalem during the Crusader period. The excellent quality of the painting was in all likelihood the workmanship of master artists and the vibrant colors reflect the importance of the abbey in the twelfth century, which was under the patronage of the Crusader queen Melisende.” 

Five high-resolution images are available here (zip file).

UPDATE (6/30): The Jerusalem Post has the story.

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Haaretz reported on this meeting yesterday, but as of now I haven’t seen an update on the ruling.

Jerusalem’s district planning council was on Sunday set to rule on a controversial museum project that archaeologists claim would destroy valuable ancient structures beneath the Old City.
The new museum is planned for the concourse beside the Western Wall of the Temple Mount – Judaism’s holiest site.
But a group of archaeologists who have petitioned the council says the new building, designed by architect Ada Karmi, would damage an ancient Roman road, flanked by rare and elaborate columns, that runs beneath the planned construction.
They say that if Jewish relics were under threat, the project would never have been allowed.
“It is impossible to exaggerate the cultural damage and the harm to antiquities that would result if the road is encased by the new building’s foundation pillars,” the archaeologists wrote in a petition to the planning council.

Whenever someone says “it is impossible to exaggerate,” it’s a dead give-away that they are exaggerating.  Unfortunately the article does not provide the names of any of the archaeologists who signed the petition.

The full story is here.

Western Wall plaza excavations, tb051908176 Excavations on the west side of the Western Wall prayer plaza, site of planned museum
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Renovation work has been completed on Herod’s Gate (aka Flowers Gate) and a dedication ceremony is scheduled for June 28.  From the Israel Antiquities Authority:

Herod’s Gate and sections of the walls adjacent to it were treated during the course of 2009 as part of the Jerusalem City Walls Conservation and Rehabilitation Project, which is funded by the Prime Minister’s Office, administered by the Jerusalem Development Authority and implemented by the Conservation Department of the Israel Antiquities Authority. The rehabilitation work on the gate took four months to complete and was conducted in cooperation with the local residents and merchants so as not to disrupt the bustling urban activity that is characteristic of the place.
The conservation and rehabilitation measures to the gate were preceded by very strict preparations that included a meticulous conservation and historical survey and documentation of the gate. During the course of the conservation work there the IAA Conservation Department had to contend with the complicated challenge of working in a teeming urban and commercial environment. The gate’s facades and interior received extensive treatment that included a thorough cleaning, treating the stones and decorations that have been subjected to years of weathering and removing hazards that stemmed from vegetation taking root and vandalism, as well as moisture penetrating into the fabric of the city wall. Among other actions that were taken, all of the electrical and water infrastructures that “adorned” the gate’s facades were removed and properly reinstalled so as not to detract from the appearance of the gate.
The Old City walls were built in the sixteenth century by the sultan Suleiman the Magnificent. Within the framework of that project Herod’s Gate was first inaugurated in the year 1539 CE. The gate was constructed originally as a postern gate which only allowed people and unharnessed animals to enter the city. At the end of the nineteenth century an opening was breached in the gate’s northern façade which allowed passage directly into the city. Remains of the sentry post that protected the original entrance can still be seen in the gate’s eastern façade.

The full press release is here (temporary link), along with a link to a zip file with five photographs showing the exterior and interior of the gatehouse, before and after restoration.

Herod's Gate, tb042403205

Herod’s Gate, 2003.  Notice original postern gate on left.  The large opening in the northern facade was only made in the late 19th century.
Herods Gate, tb010310664Herod’s Gate, January 2010
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Jerusalem’s Festival of Light ends this week.  Arutz-7 reports:

Traveling from all over the country to witness the artistic display, Israelis enjoyed strolling in and around the ancient walled Old City June 10-16, viewing light displays which were, for the most part, free of charge.  For a fee, visitors could enjoy the opening ceremony — The Light Concert in Sultan’s Pool — opposite the Old City walls and thousands did so. The Jerusalem Symphony Orchestra played light classical music while lights beamed towards the sky in time to it bounced back from the clouds.  The players were bathed in myriad colors of shimmering lights. The program began with an orchestrated medley of songs of Jerusalem and included a surprise–simultaneous fireworks and beams of light  during the playing of Tschaikovsky’s 1812 Overture. . Flautist Noam Buchman played "From the top of Mount Scopus" as the finale.

See the article for a dozen photos.

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The Vatican will not be taking control of the Upper Room (Room of Last Supper, Coenaculum) according to this report in Arutz-7:

Israel National News has learned that the Last Supper Room is off the negotiating table, at least for now, in talks between Israel and the Vatican orchestrated by Deputy Foreign Minister Danny Ayalon.
[…]
One of the most difficult points of contention between Israel and the Vatican is the question of who controls the Last Supper Room. The room is said to mark the burial site of Kings Solomon and Hezekiah, and is also located in the same structure that houses the tomb of King David. Further complicating the matter is the fact that the building is known as the oldest Catholic church in the world, and has also served as a synagogue and as a mosque — in fact, Muslim inscriptions can still be seen on its walls. To simplify matters, the Last Supper Room was taken out of the agreement. “We basically reached the principle that it will not be part of this agreement,” the source said. “We have wanted the status quo, and they have wanted sovereignty,” since negotiations began 11 years ago. “At this point, it will not be discussed as part of this agreement, which is progress.”
Progress was also apparently made on the issue of Israel’s right to expropriate land when necessary, albeit not without some caveats. The status quo was maintained on most of the 21 disputed properties in the Land of Israel, but there were six outstanding exceptions in which Israel has allegedly agreed not to confiscate land “unless there is an extreme need”: the Mount of Beatitudes, Tabha, Capernaum, the Church of the Annunciation, Mt. Tabor and the Garden of Gethsemane. “Obviously if there is a security situation, the State of Israel can expropriate, as is the sovereign right of any nation,” the source said. “After 11 years, that’s real progress,” he said.

The full story is here.

Upper Room interior, tb070807001

Traditional Upper Room, Jerusalem
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The latest LandMinds program features Wheaton professor Daniel Master concerning his excavations of Ashkelon.  This year they are focusing on periods before and after the Philistine occupation.

Another recent LandMinds program interviews Amnon Ben-Tor, excavator of Hazor.  The second part of the show features the directors of the survey and excavation team of Tel Burna (Bornat), possible biblical Libnah.

Over on PaleoBabble, Michael Heiser has announced a new online institute in which you can study the Bible, the ancient languages, ancient history, and more for a very low price. 

In Jeremiah 32, the Lord tells the prophet to purchase a plot of land even though the Babylonians are about to conquer the city.  If you want to see how archaeological background can help us to understand the details of a biblical story, check out Gordon Franz’s “archaeological exposition” of the passage.

360Cities has some beautiful panoramas from Egypt, including the Pyramids in Giza and the Karnak Temple in Luxor.

If you haven’t had a chance to walk through the sewers of ancient Jerusalem, Ferrell Jenkins is guiding tours today.

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