On Monday, the “Dead Sea Scrolls & the Bible” exhibit opens at Southwestern Baptist Theological Seminary in Fort Worth. I confess having a jaundiced view towards such American exhibits because they typically charge a high price for a glimpse at a handful of scraps of ancient writing. This display appears to be different, offering a wealth of materials as well as 22 manuscript fragments. This week’s article in the Baptist Press convinced me to plan to spend a day at the exhibit. Some excerpts:

Southwestern Baptist Theological Seminary hopes to … give more people than ever a chance to see manuscripts that reveal the faithful transmission of the biblical texts over thousands of years through its Dead Sea Scrolls & the Bible exhibition, which will run from July 2012 to January 2013….
Weston Fields, guest curator for the Dead Sea Scrolls & the Bible exhibition and executive director of the Dead Sea Scrolls Foundation, said that while the ancient scroll fragments do not “prove” the Bible is true, they prove, more or less, that the Bible Christians use today, including 66 books from Genesis to Revelation, is the Bible God intended Christians to have, even thousands of years after He first inspired its writing….
Owning more Dead Sea Scroll fragments than any institution of higher education in North America, Southwestern plans to showcase seven of its fragments together with others on loan from the Kando family of Bethlehem, Hebrew University, and the Department of Antiquities of Jordan, for a total of 22 manuscript fragments in the exhibit.
The exhibit also will contain archaeological artifacts, early copies of Scripture, and equipment used in excavations, including the Jeselsohn Dead Sea Stone, or “Gabriel’s Vision”; the first published Greek New Testament; a page of the Gutenberg Bible; the Luther Bible; New Testament papyri; and tools from the excavation of Qumran, as well as a nearly 16-foot-long display of a portion of the St. John’s Bible.
[…]
McCoy said the exhibition will offer a child-friendly component as well, where young visitors can experience the archaeological aspects of the Dead Sea Scrolls and learn about them alongside their parents, both through kiosks placed throughout the exhibit and through a simulated dig site located outside the exhibit hall.
At the dig site, visitors will have the chance to excavate and dig for ancient artifacts. A child may then take home a shard discovered in his digging.

And a bullet list, for those who prefer the short version:

In The Exhibit:
— Murals of Dead Sea region
— Artifacts such as coins, pottery and sandals
— Replica Wailing Wall
— Authentic Bedouin tent
— Tent from Qumran dig site
— Scroll stylus and ink well
— Replica of Cave 4
— Dead Sea Scroll fragments and other manuscripts
— Dead Sea Scrolls film
— iScroll kiosks
— Portion of St. John’s Bible
— Early Bibles and texts
— Gift shop
— Interactive dig site

The story includes two free high-resolution photos. The official website is here. A few weeks ago I noted the excellent lecture series. In 2010 Southwestern purchased some of the Dead Sea Scroll fragments that will be on display.

Qumran Cave 4 from 4b, tb051106117
Cave 4 at Qumran (from the other side)
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If you are looking for unique Christmas images, the Accordance Blog tells you where to find them.

A scroll containing the Ten Commandments from Deuteronomy has just been put on display at Discovery Times Square in New York City.

Iraq’s second largest museum is paying smugglers to return the artifacts.

If you’ve been intrigued by the title of Jodi Magness’ latest work, BAR has posted a review by Shaye J. D. Cohen of Stone and Dung, Oil and Spit: Jewish Daily Life in the Time of Jesus. The book is available for $16 at Amazon or $20 at Eisenbrauns.

A bulla with the name of a biblical town has been discovered in the Temple Mount Sifting Project.

According to ANE-2, Gabriel Barkay will present it at a conference at Bar Ilan University at the end of the month.

The new Egyptian Minister of Antiquities has announced new policies for his department.

Ferrell Jenkins has written an illustrated series appropriate for the season:

Fishermen using illegal nets in the Sea of Galilee have been caught and detained.

The Biblical Archaeology Society has released a new edition of its free eBook, The Dead Sea Scrolls: Discovery and Meaning. The new material looks at the War Scroll, the Temple Scroll, and the Book of Enoch. If you have not already, you must register to receive the eBook.

Olive Tree Bible Software now has the ESV Bible Atlas for sale for $22, the Zondervan Atlas of the Bible for $26, and the Holman Bible Atlas for $20. These atlases are supported on the Android, iPad, iPhone, Mac, and soon the PC.

If you ever hear the name Ron Wyatt in connection with some amazing archaeological discovery, run the other way. His death in 1999 did not prevent his frauds from being perpetuated in email forwards and on various websites. His alleged discovery of chariot wheels in the Red Sea and research claimed to date the objects based on the number of spokes is worthy of being featured as the latest post at PaleoBabble.

HT: Jack Sasson

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The “Passages” exhibit opened on Monday and runs through October 16 of this year.  It is hosted by the Oklahoma City Museum of Art.  From explorepassages.com:

Passages is a 14,000-square-foot interactive, multimedia exhibition for all ages. It features some of the most exquisite and rare biblical manuscripts, printed Bibles, and historical items in the world. These cultural treasures include a Dead Sea Scroll text, ancient biblical papyri, beautifully illuminated manuscripts, early printed materials, including a portion of the Gutenberg Bible, and multiple first editions of the English Bible through the King James Version.
Visitors are immersed in a fascinating story that spans over two thousand years, winding through Judeo-Christian history, from an ancient synagogue to a modern excavation site where new discoveries are being made. Over 300 of the world’s rarest artifacts are presented in highly thematic settings which depict significant historical periods of time that are brought to life with animatronic historical figures, creative films and many interactive activities for both the young and old.
Each guest is provided with an iPod touch, at no additional charge, so they may travel through time with expert commentary on the artifacts by some of the world’s leading scholars. There is even a children’s listening track hosted by Louie the Lion.
Special effects and surprises are found throughout the exhibit so that guests can not only get a glimpse into history but also feel as if they are part of the translation and transmission of the Bible into English.
The self directed tour ends with an original film that capsulates this amazing story, shot on location throughout the world, with special narration by Wintley Phipps.

For more information, see the official website.  Tickets are $26 online.  The website suggests that the exhibit will be moving to the Vatican and to New York City in the future.

HT: Jack Sasson

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A free exhibition at Stanford University reveals the bright colors that once covered the ancient sculptures of Greece and Rome.  From the Stanford Report:

With the silent attentiveness of a physician, Ivy Nguyen passes her hands over the recumbent white lady in the darkened lab. She cradles a handheld black light in her fingers.
Under the Stanford sophomore’s skillful watch in the Cantor Arts Center lab, long-dead colors on marble come alive after two millennia.
The results of Nguyen’s painstaking efforts are on display in “True Colors: Rediscovering Pigments on Greco-Roman Marble Sculpture” at the Cantor. The exhibition runs until Aug. 7. Admission is free.
Though we still think of ancient Greece and Rome in terms of white marble sparkling under a hot Mediterranean sun, the new exhibition shows at least one Greco-Roman lady as she was meant to be seen – in Technicolor. Not everyone may take to Stanford’s painted lady, but first impressions can change. “It’s very different – some have called it kind of garish,” admitted sophomore Nguyen, but she confesses that she’s gotten used to it.
We’ve always known that ancient statues were painted: The Metropolitan Museum of Art has a vase, circa 360-350 B.C., depicting a man painting a statue of Herakles. The most important evidence is on the statues themselves – traces of paint that time did not wash from the creases and crevices in porous marble.

The full story includes a photo and a video.

HT: Joe Lauer

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Art Daily has a story on an upcoming exhibit at the Getty Villa in Malibu, California:

In Search of Biblical Lands: From Jerusalem to Jordan in 19th-Century Photography on view at the Getty Villa from March 2 through September 12, 2011, features some of the first photographic images of the eastern margins of the Mediterranean. This region is one of the most photographed places on earth, with subjects ranging from architectural sites to evocative geography, scenes of pastoral life, and its people. The photographs on view in this exhibition reveal what the travelers of the 1800s discovered on their journey: a landscape of belief, at once familiar yet still mysterious.
In Search of Biblical Lands: From Jerusalem to Jordan in 19th-Century Photography features rare, early daguerreotypes, salted-paper prints, and albumen silver prints, created between the 1840s and 1900s by the leading photographers of the time, including Felice Beato, Maxime Du Camp, Auguste Salzmann, James Graham, Louis Vignes, Frank Mason Good, and Frederic Goupil-Fesquet. Due to the delicate nature of photographic materials that cannot be displayed for long periods, this exhibition features more than 100 photographs in total, divided into two installments, each on view for three-months.
Organized into five sections—Jerusalem, Early Views, Peoples of the Bible, Travels in Bible Lands, and Expeditions Beyond the Dead Sea—the photographs, made for study by scholars or produced as souvenirs as well as works of art, were presented by photographers and publishers in ways designed to foster viewers’ religious identification with the region. Subjects include Bethlehem, Nazareth, Petra, the Church of the Holy Sepulchre, Damascus Gate, Saint Stephen’s Gate, the Ecce Homo Arch, the Al Aqsa Mosque, Walls of the Temple Mount, The Garden of Gethsemane, the Dome of the Rock, the River Jordan, the Pool of Hezekiah, and Jerusalem from the Mount of Olives.

The story continues here.

HT: Explorator

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From MSNBC:

A full-scale replica of Noah’s Ark will be the biggest feature of a creationism-themed amusement park expected to open in 2014 in northern Kentucky, Gov. Steve Beshear announced Wednesday.
The $150 million park will be built by a for-profit group called Ark Encounter LLC, which is partnering with Answers in Genesis, most widely known for its high-tech Creation Museum in Petersburg, Ky., Beshear said at a Capitol news conference.
Site selection is not decided, he said, but the organizers have options on 800 acres in Grant County off Interstate 15, about 40 miles from the Creation Museum, which is outside Cincinnati, Ohio. The Ark Encounter website says the park will go in the Grant County site.
“Bringing new jobs to Kentucky is my top priority, and with the estimated 900 jobs this project will create, I am happy about the economic impact this project will have on the Northern Kentucky region,” Beshear said in a prepared statement.
The park is expected to draw 1.6 million visitors a year, Beshear said, citing a feasibility study by America’s Research Group.
In addition to the full-size ark, the complex will include a walled city, live animal shows, a children’s interactive play area, a replica of the Tower of Babel, a 500-seat special effects theater, an aviary, a journey through biblical history, and a first-century Middle Eastern village.

The story continues here.  The official site of Ark Encounter is here.  Answers in Genesis has issued a press release here.  There are several images available here.

My family had the opportunity to visit the Creation Museum mentioned above this summer.  We thought it was excellent and would highly recommend a visit.  This new park will certainly spark more conversation, as it brings closer to home questions such as (1) did Noah build such an ark for a local flood; (2) would all of the animals fit inside; and (3) how much faith would it take for one man to persevere in the construction.  It’s interesting how much opposition there is today to the establishment of a theme park; I can’t imagine that Noah faced any less of a snarky, sneering response.

image

Proposed Ark Encounter theme park
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