The Ancient World Online (AWOL) has several posts of map resources this week. The Digital Atlas of Roman and Medieval Civilizations is a work-in-progress by students and faculty at Harvard. The Jewish National and University Library in Jerusalem has now made available online the Eran Laor Cartographic Collection. For more historic maps, start with the Links page at this site.

Tom Powers reports that you can now walk underground (on the street and through the drainage channel) from the Pool of Siloam to the Givati Parking Lot opposite the entrance to the City of David. He also has photos of the new exit for the passage just below Robinson’s Arch. (The unsightly railing smack in the middle of the first-century street will cause distress for those who haven’t already taken photographs of this historic site.)

The Jerusalem municipality is promoting a “Take two days in Jerusalem” campaign this summer, and the list of cultural events is extensive:

The International Festival of Light, Knights Festival, International Film Festival, Puppets Theater Festival, Opera Festival, Balabasta Festival in Mahane Yehuda Market, Jerusalem Beer Festival, Arts & Crafts Festival, End of Summer Celebration Festival, Wine Tasting Festival, Shalem Dance Festival, Ziggy Marley, Infected Mushrooms, Matisyahu, Eyal Golan, Renee Fleming and more!

Arutz-7 is reporting illegal construction activity at Gibeah of Saul.

Recent events in the Middle East may have a downside: “The ‘Arab Spring’ may have facilitated trade of a treasure trove of stolen assets in the world’s art and antiquities markets.”

The Ashmolean Museum at Oxford will be opening new wings for ancient Egypt and Nubia in November.

Amihai Mazar will be giving a public lecture in Sydney, Australia in September.

HT: Joseph Lauer, Jack Sasson, BibleX

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Bird’s Eye View of the Holy Land, engraved from A. J. Marks lithograph, 1880s. Source: Eran Laor Cartographic Collection.
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From Haaretz:

Painted tiles from an impressive ancient synagogue in Syria, along with other archaeological artifacts, went on display on Mount Scopus last month – after a 63-year delay.
The exhibits were originally intended to be shown to the public on Mount Scopus in 1948, but the outbreak of the War of Independence froze plans to open the nearly-completed museum built there. The exhibits were placed in drawers for decades and became accessible to the public only last month.
Among the artifacts are tiles from the ancient synagogue discovered in the city of Dura Europos, which is located in the Syrian desert above the banks of the Euphrates. To this day – about 80 years after its discovery – this 3rd century synagogue is considered one of the most complete and impressive examples of Jewish religious structures from that period.

The article gives more of the story behind the long delay in opening the exhibit.

HT: Joseph Lauer

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Leen Ritmeyer explains why he disagrees with Eilat Mazar’s claim that the Second Temple is “waiting to be unearthed.” 

Shmuel Browns has a well-illustrated article on Popular Archaeology entitled “Netzer’s Legacy: The Wonders of Herodium.”

Wayne Stiles makes a connection between the feast of Shavuot (Weeks or Pentecost) and Beth Shemesh.

Al Arabiya News profiles the Nimrud ivories, and Ferrell Jenkins provides some additional commentary and photos.

Haaretz takes the occasion of the inauguration of Jerusalem’s Light Rail to reminisce about an earlier, short-lived rail project from Jerusalem to el-Bireh/Ramallah. The author describes it as an electric rail system, but the accompanying photo shows the train billowing smoke.

The Jewish Quarter in the Old City of Jerusalem is almost entirely Ultra-Orthodox.

An article in the Telegraph lists the top five religious mysteries as the Ark of the Covenant, the Holy
Chalice, the True Cross, the Dead Sea Scrolls, and the Sudarium of Oviedo.

The New York Times celebrates the completion of the Chicago Assyrian Dictionary, ninety years after it was begun.

If you’re wondering what is brand new and most popular for the week, see the lists at bib-arch.org.

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If you’re thinking of a trip to biblical lands, you might want to choose a country other than Greece this year.  From the Guardian:

The greatest repository of ancient Greek art – the National Archaeological Museum of Athens – has become the latest victim of the economic crisis engulfing Greece, with visitors getting only a peek at its renowned collections.
As the long-awaited tourist season begins, the debt-choked country’s top attraction is in the news for all the wrong reasons: closed exhibition halls, neglect and exasperated holidaymakers.
“This is our first time to Greece and of course we’re disappointed,” said Shareen Young, from Orange Country, California, who on Friday found herself locked out of the venerable institution because of a staff shortage. “I had really wanted to see the golden Mask of Agamemnon and other treasures of Troy.”
Barbara Vimercati, an Italian tourist, was also left standing outside the museum’s monumental bronze doors. “It says it’s open until 4pm but it’s not, and there isn’t even a note explaining why,” she said, making do with a glimpse of cellophane-wrapped statues in an adjacent corridor. “It’s unbelievable. We don’t understand.”
Most Greeks, including the museum’s keepers, are similarly at a loss. “We have 11,000 exhibits, five permanent collections and galleries over more than 8,000 square metres of space,” said Alexandra Christopoulou, a museum representative. “The season begins in April. I really don’t know why it has taken so long for the culture ministry to send extra personnel.”
With just 30 guards to supervise displays that require at least 130 on a daily basis, only eight of the museum’s 64 exhibition halls were open to the public last Sunday, according to the Kathimerini newspaper. Visitors have reportedly almost come to blows with staff when they discover that their €7 (£6.25) ticket gives them access to only a fraction of the displays.

The story continues here.

HT: Jack Sasson

Athens National Archaeological Museum, tb030806100

National Archaeological Museum of Athens
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Ennion created some of the most beautiful pieces of glass of all time.  He was producing mold-blown glass in the years when Jesus lived in Galilee.  If Ennion worked in Sidon, as many suppose, Jesus may have passed by his shop (Matt 11:21; 15:21; Mark 7:31).  Such a large collection of Ennion’s works have never before been on display.

From Israel Museum’s facebook page:

Made by Ennion: Ancient Glass Treasures from the Shlomo Moussaieff Collection – on view through January 28, 2012.
The Israel Museum presents an exceptional group of ancient mold-blown glass vessels, many of them made by Ennion, a master glassworker who was the first to put his name on his art. Ancient glass bearing the name of the artist is exceedingly rare, and never before have so many examples been gathered in a single display. The exhibition brings together forty-three pieces, nine of them signed, including a number of pieces that rank among the highest achievements in glassworking of all time. Approximately half of the works are on loan from the rich collection of Shlomo Moussaieff and are exhibited to the public for the first time.

The J. Paul Getty Museum has a brief biography of Ennion.

Ennion worked as a glassmaker about 1 to 50 A.D. His signature is known from over thirty surviving pieces, and many other works are attributed to him on the basis of style. Ennion created the ground-breaking technique of blowing glass vessels into molds. This new process allowed the vessel and its decoration to be created at the same time and permitted the creation of multiple copies of the same vessel. Ennion’s clear, precise designs distinguish his work; he also minimized the visibility of the lines caused by the seams in the mold.
The location of Ennion’s workshop is debated, in part because his work is found throughout the Roman Empire. Some scholars believe he worked in Sidon in modern Lebanon, while others assert that he worked in northern Italy. The inscriptions he frequently used as decoration may provide a clue. Though his name may have been Semitic in origin, he signed it in Greek, the language of the eastern Mediterranean, not Italy. The city of Sidon, where he may have worked, had all the raw material for glass-making and extensive trade connections.

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The “world’s oldest known museum” was created by Princess Ennigaldi, the daughter of Nabonidus, king of Babylon from 555 to 539 BC.  The story of its discovery and significance is recounted by Alasdair Wilkins.

In 1925, archaeologist Leonard Woolley discovered a curious collection of artifacts while excavating a Babylonian palace. They were from many different times and places, and yet they were neatly organized and even labeled. Woolley had discovered the world’s first museum.
It’s easy to forget that ancient peoples also studied history – Babylonians who lived 2,500 years ago were able to look back on millennia of previous human experience. That’s part of what makes the museum of Princess Ennigaldi so remarkable. Her collection contained wonders and artifacts as ancient to her as the fall of the Roman Empire is to us. But it’s also a grim symbol of a dying civilization consumed by its own vast history.

The story continues here.

HT: Paleojudaica

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