Christopher Rollston has written a brief analysis of the recent IEJ report on the Jerusalem cuneiform tablet fragment.

Strikingly, the authors conclude that “given the fact that the tablet is written on clay from the Jerusalem region and that its find site is close to what must have been the acropolis of Late Bronze Age Jerusalem, there is good reason to believe that the letter fragment does, in fact, come from a letter of a king of Jerusalem, mostly likely an archive copy of a letter from Jerusalem to Pharaoh” (emphasis mine).  It is also contemplated that, for Jerusalem 1, the “Jerusalem King in question could be Abdi-Heba,” but the authors also state “but again perhaps not, since Jerusalem 1 does not include any specific feature that would tie it directly to El Amarna 285-290.”  They then conclude that “in short, the ductus of our letter fragment would be appropriate for a finely written letter from a king of Jerusalem to the Egyptian court.”  It is with the probability of these historical conclusions and Sitz im Leben that I wish respectfully to differ.

He then makes eight observations before concluding that the text “could be one of various things . . . e.g., an epistolary text, a legal text, an administrative text, a literary text.”

You can read the whole piece here.

HT: Paleojudaica

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The Jerusalem Post reports on the cuneiform tablet noted here yesterday.  The story includes a photo.

Hebrew University excavations recently unearthed a clay fragment dating back to the 14th century BCE, said to be the oldest written document ever found in Jerusalem.

The tiny fragment is only 2 cm. by 2.8 cm. in surface area and 1 cm. thick and appears to have once been part of a larger tablet. Researchers say the ancient fragment testifies to Jerusalem’s importance as a major city late in the Bronze Age, long before it was conquered by King David.

The minuscule fragment contains Akkadian words written in ancient cuneiform symbols.

Researchers say that while the symbols appear to be insignificant, containing simply the words “you,” “you were,” “them,” “to do,” and “later,” the high quality of the writing indicates that it was written by a highly skilled scribe. Such a revelation would mean that the piece was likely written for tablets that were part of a royal household.

[…]

According to [Wayne] Horowitz, the high quality of the tablet piece indicates that it was most likely part of a message sent from a then-king of Jerusalem to the pharaoh in Egypt.
Horowitz said that the fragment, which is made of Jerusalem clay, indicated that Jerusalem was one of the central cities of the area at the time.

“This shows Jerusalem was not a provincial backwater, [but] one of the main cities of the area,” he said.

Mazar called the fragment “one of the most important finds we’ve ever had” and said she hoped it would lead to further big discoveries.

“A piece this small wouldn’t have been sitting there all by itself; there have to be more pieces like it,” she said.

The full story is here.

UPDATE (7/12): The AFP has a larger image here.  The story is now reported by Arutz-7 and Bloomberg.  For more thoughts on the find, see Paleojudaica, Abnormal Interests, and Ferrell Jenkins.

UPDATE #2 (7/12): Joe Lauer sends along links to the Hebrew University press release in English and Hebrew.  The university dates the Late Bronze period to the second century B.C., providing new insights into the abilities of the Hasmoneans to correspond in Akkadian (not really; this is obviously a mistake for millennium).  One point that the press release makes is that the discovery was made during off-site wet-sifting of the debris.  I haven’t seen it in any of the notices, but I believe the fragment was found in early January. 

UPDATE #3 (8/8): For a report on the discovery, see here.

The Haaretz article is here.  Eilat Mazar, in a red blouse, poses with the fragment and Wayne Horowitz here.

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Some months ago Eilat Mazar made a unique discovery in her excavations south of the Temple Mount.  The find was kept under wraps until careful analysis could be conducted and the results published in the Israel Exploration Journal.  The discovery is a fragment of a cuneiform tablet that likely dates to the 14th century BC.  Duane Smith has a summary of the article.  In part, he writes:

The tablet is so fragmentary that, other than a few general observations, no meaningful interpretation is possible. As Horowitz and Oshima say, “. . . it is clear that we know next to nothing about the original contents and circumstances of the letter. The main significance of this new find does not lie in what we can learn by reading the tablet, but in the historical and archaeological context of the tablet itself.”

He notes that there are a total of six lines, but no line has more than five readable signs.  But this discovery is quite significant because of what it may tell us about Jerusalem at this time.

The tablet appears to be a copy of an “Amarna Letter,” sent by the king of Jerusalem (Abdi-Kheba?) to the Egyptian pharaoh Akhenaten living in Amarna (then known as Ahketaten).  More than a century ago, nearly 400 of these texts were discovered in Egypt.  They were initially thought to be forgeries because they are written in cuneiform and not hieroglyphics.  But international correspondence of the day was in Akkadian and scholars soon agreed on their authenticity. 

The Amarna Letters only give us one side of the story, because only the correspondence from Egypt’s neighbors is preserved.  This new discovery suggests that more writings from this period could be discovered in Jerusalem.  Lest you’re tantalized by the possibility that an archive may be a dig away, note that this tablet was discovered in Iron Age fill.

One interesting line of inquiry is a comparison of what we know about Jerusalem in the Late Bronze Age from archaeology versus what we know about Jerusalem at that time from textual sources.  Hint: they don’t seem to match.  I’ve been waiting for a book entitled The Amarna Letters Unearthed, but I’ve haven’t seen it yet.

Amarna Letter from Labayu of Shechem, tb112004946

Amarna Letter from Labayu of Shechem
Displayed in the British Museum
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An Ottoman weapon was found by conservationists restoring the Old City wall of Jerusalem.  Police sappers were called on to destroy the 100-year-old object.  From Haaretz:

A 100-year-old Turkish hand grenade was recently discovered during conservation work being conducted near the Damascus Gate in Jerusalem’s Old City, the Israel Antiquities Authority announced on Wednesday.
A conservation team from the authority, under the direction of conservator Fuad Abu Taa, on Monday was dismantling fragments of crushed stone that needed to be replaced in the city wall, when they found a fist-size chunk of metal in the wall’s core.

The story continues here (with photo).

Turkish soldiers marching past American Colony, mat06378

Turkish soldiers marching past American Colony towards Damascus Gate, circa 1900

This photo is from the Early 20th-Century History volume of The American Colony and Eric Matson Collection (Library of Congress, LC-matpc-06378).

In May, we posted a then and now photo of Damascus Gate.

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This large 12th-century fresco discovered ten years ago near the Garden of Gethsemane goes on display next month in the Israel Museum.  From the Israel Antiquities Authority:

An enormous impressive wall painting (fresco) that was discovered in excavations by the Israel Antiquities Authority in the Monastery of Miriam in the Gethsemane courtyard in Jerusalem will be displayed for the first time when the renewed Israel Museum opens its doors to the public on July 26, 2010.
[…]
According to Seligman, the subject of this wall painting – only the bottom part of which survived and which originally rose to a height of about nine meters – is apparently a scene of deésis (meaning supplication in Greek). This is a known iconographic formula whereby Mary and John the Baptist beseech Jesus for forgiveness, for the sake of humanity. Only the bottom parts of the figures are visible in the main picture: Jesus sitting in the center, with Mary to his right and John the Baptist to his left. Two other pairs of legs, probably those of angels, can be seen next to Mary and John. In the middle of the painting are colorful floral tendrils on either side of which is a Latin inscription of a saying by Saint Augustine: “Who injures the name of an absent friend, may not at this table as guest attend.” We can conclude from this that the painting adorned the wall of a dining room – the refectorium – in the monastery. The prohibition to gossip is surprising since the monks there were Benedictines who refrained from unnecessary conversation. According to the researchers, the maxim was apparently intended for visitors who arrived at the monastery and were invited to dine there.
According to Nagar, “This is one of the most important paintings that have been preserved from the Crusader period in Israel. The painting is the largest to come out of an archaeological excavation in the country and the treatment the painting underwent in the laboratories of the Israel Antiquities Authority was, from a conservation standpoint, among the most complicated ever done here. This wall painting is special because of its size and quality. It measures 9 meters long and 2.7 m high, and is extremely rare because very few wall paintings have survived from the Crusader churches that were built in Jerusalem during the Crusader period. The excellent quality of the painting was in all likelihood the workmanship of master artists and the vibrant colors reflect the importance of the abbey in the twelfth century, which was under the patronage of the Crusader queen Melisende.” 

Five high-resolution images are available here (zip file).

UPDATE (6/30): The Jerusalem Post has the story.

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Haaretz reported on this meeting yesterday, but as of now I haven’t seen an update on the ruling.

Jerusalem’s district planning council was on Sunday set to rule on a controversial museum project that archaeologists claim would destroy valuable ancient structures beneath the Old City.
The new museum is planned for the concourse beside the Western Wall of the Temple Mount – Judaism’s holiest site.
But a group of archaeologists who have petitioned the council says the new building, designed by architect Ada Karmi, would damage an ancient Roman road, flanked by rare and elaborate columns, that runs beneath the planned construction.
They say that if Jewish relics were under threat, the project would never have been allowed.
“It is impossible to exaggerate the cultural damage and the harm to antiquities that would result if the road is encased by the new building’s foundation pillars,” the archaeologists wrote in a petition to the planning council.

Whenever someone says “it is impossible to exaggerate,” it’s a dead give-away that they are exaggerating.  Unfortunately the article does not provide the names of any of the archaeologists who signed the petition.

The full story is here.

Western Wall plaza excavations, tb051908176 Excavations on the west side of the Western Wall prayer plaza, site of planned museum
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